Main Corner & Riddoch Art Gallery, 1 Bay Road Mount Gambier
No booking required.
“Drawing on some ancient definitions and some modern ones, I will consider how art us useful — indeed essential — nowadays. I will discuss the benefits of art to the individual and to the societies that support it, make it and engage with it. To illustrate my general observations, I will show some specific examples of my own work and of contemporary artists whom I admire.”
Bio: Formerly the inaugural Creative Director at the Australian Centre for the Moving Image, Ross Gibson is Centenary Professor in Creative and Cultural Research at the University of Canberra. His work spans several media and disciplines. Recent projects include the Radio National feature program ‘Green Love’ (2016), the books Changescapes (2015), Memoryscopes (2105), and The Criminal Re-Register, all published by UWAP, and the public-art installation ‘Bluster-Town’ at Wynyard Rail Station, Sydney (2017).
Open Call for the Inaugural International
Limestone Coast Video Art Festival.
Accepting submissions now!
We invite Australian and international video artists to apply for Inaugural International Limestone Coast Video Art Festival, to be held Sept 29, – October 21 2018, in the Riddoch Art Gallery/Main Corner, Mount Gambier, South Australia.
We encourage innovative works created by video artists. Our 2018 program will include an exhibition, conference, screenings, workshops, VJ performances.
No ENTRY FEE
Deadline for submission is March 30, 2018.
Curated by Dr Linda Marie Walker
Main Gallery and Margaret Scott Gallery
24th March – 29th April
Featuring: Jorge Carla Bajo, Louise Blyton, Melinda Harper, Anton Hart, Aldo Iacobelli, Toshiuki Iwasaki, Louise Haselton & Christian Lock and Andy Petrusevics
Internal Forces … refers to the complex body/mind web of pressures, tension, and atmospheres that infinitely and abstractly unfold (into) individual worlds/lives that emerge as platforms and scaffolds from which we express our temporary presence as human beings.
The City of Mount Gambier Cultural Fund is open for applications. A total of $25,000 is available to local artists, community groups and not-for-profit organisations to support the delivery of inspiring, creative and contemporary projects that contribute to a connected, vibrant and culturally diverse community.
The Creative Spaces grant aims to activate public spaces and key Council priority areas to encourage creative and social interaction, partner with local businesses to create a vibrant street culture and develop stimulating spaces that attract visitors and create a sense of community attachment.
For more information and to download application forms, please visit:
Join local artist Fiona Paltridge at the Main Corner Complex on Saturday February 17th. Each class you will complete two journal pages and learn lots of new techniques.
Everything is supplied, just bring along an art journal.
10am – 12noon or
1pm – 3pm
Explore the use of tags in art journals. Tags can be fun to add dimension and interest to your work as well as be the perfect thing to write your journal jottings on. Whether you are an experienced art journaler or a beginner you will enjoy this fun creative class.
Cost $45 includes materials.
Phone 87212563 to book.
Ages 16 and over.
Pull on a headset and get an exclusive view of Lynette Wallworth’s EMMY award winning Virtual Reality work, Collisions. Witness a collision of culture, technology and storytelling which takes us on a virtual reality journey to the homeland of indigenous elder Nyarri Morgan and the Martu tribe in remote Western Australian Pilbara desert and his first, devastating introduction to the Western world.
The 1950s saw Australia performing its first atomic tests and Nyarri, with no warning, or context, experience his first taste of Western civilisation. Offering us a view to what he saw, and in reflecting on this extraordinary event, Nyarri shares his perspective on the Martu way to care for the planet.
Set in one of the most beautiful and remote places in Australia, and told through the lens of the world’s oldest living culture, Collisions is story telling at its finest, and an opportunity not to be missed.
Tomorrow is your last opportunity to view the Costumes on display in the King’s Floor, representing the period worn by Jane Austen, in an exhibition developed to commemorate the 200th anniversary of her death by Dressing Australia Museum of Costume.
‘Be Persuaded’ follows Jane’s life – and the unforgettable characters she created – from growing up in the 18th century into the era at the beginning of the 19th century. ‘Be Persuaded’ features rare fashion, accessories and ephemera from the 18th century when Jane was born, through to the 1840s when Jane’s beloved sister Cassandra died. Pieces such as these are rarely on display outside of major museums – an 18th century silk gown, diaphanous Empire line frocks, spencers, capes and shawls, boots, pumps and stockings, bonnets and parasols.
Jane Austen is famous yet imperfectly known. ‘Be Persuaded’ brings her a little closer.
Viewable on the King’s Floor of the Main Corner. Entry is free.
One in five Australians, including children and adolescents, lives with chronic pain, but this number rises to one in three for those over the age of 65. Pain is invisible, yet it is a very real experience for the people living with it. Often drawing on metaphors to try and describe pain, it is difficult to capture what is a complex, individual, subjective and sensory cognitive experience.
In a unique collaboration between artist Eugenie Lee and a number of scientists, Eugenie has create a thoughtful and empathetic response to a common, yet invisible enemy, chronic pain, through the use of Virtual Reality. Part installation, part performance, Eugenie takes participants through an immersive experience that underline the various ways in which chronic pain affects us
Seeing is Believing is an experimental art and science collaborative project, simulating a type of chronic pain called Complex Regional Pain Syndrome (CRPS). Through a one-on-one interaction between the artist and a participant, the Virtual Reality installation becomes a metaphorical experience of persistent pain through performance, and the latest technologies
It is anexercise demonstrating, contrary to common belief, the brain can still produce perceptions of pain even in the absence of physical injury. It is a way of externalising an inherently internal experience, so that the language of pain extends beyond incomplete metaphors allowing the audience insight into what it is like to have CRPS. Please note that this artwork is designed not to give pain to you, the participant, however it may involve various types of discomfort, depending on your response.
Seeing is Believing is part of the exhibition The Patient – the medical subject in contemporary art, currently showing in the Riddoch Art Gallery. From Thursday 14 – Sunday 17 December, artist Eugenie Lee will be at the Main Corner demonstrating her Virtual Reality installation Seeing is Believing
Bookings are free but essential. For more information, and to secure your spot please visit Eventbrite and Facebook